"The whole house," said Fleda uncompromisingly. She thought of her lovely room. This communication arrived in the morning, but Fleda would still have had time to wire a protest. She debated on that alternative; then she read the note over and found in one phrase an exact statement of her duty. Owen's simplicity had expressed it, and her subtlety had nothing to answer. She owed him something for her obvious failure, and what she owed him was to receive him. If indeed she had known he would make this attempt she might have been held to have gained nothing by her flight. Well, she had gained what she had gained—she had gained the interval. She had no compunction for the greater trouble she should give the young man; it was now doubtless right that he should have as much trouble as possible. Maggie, who thought she was in her confidence, but was immensely not, had reproached her for having left Mrs. Gereth, and Maggie was just in this proportion gratified to hear of the visitor with whom, early in the afternoon, she would have to ask to be left alone. Maggie liked to see far, and now she could sit upstairs and rake the whole future. She had known that, as she familiarly said, there was something the matter with Fleda, and the value of that knowledge was augmented by the fact that there was apparently also something the matter with Mr. Gereth.!

"You've seen Mr. Owen"—Mrs. Gereth concurred. She put down her cup and sank into a chair, in which she leaned back, resting her head and gazing at her young friend. "Yes, I did tell you a while ago that for you I'd do it. But you haven't told me yet what you'll do in return." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"

That punctilio didn't prevent Owen from remaining with her after they had left the shop, from hoping she had a lot more to do, and from pressing her to look with him, for a possible glimpse of something she might really let him give her, into the windows of other establishments. There was a moment when, under this pressure, she made up her mind that his tribute would be, if analyzed, a tribute to her insignificance. But all the same he wanted her to come somewhere and have luncheon with him: what was that a tribute to? She must have counted very little if she didn't count too much for a romp in a restaurant. She had to get home with her trimming, and the most, in his company, she was amenable to was a retracing of her steps to the Marble Arch and then, after a discussion when they had reached it, a walk with him across the Park. She knew Mona would have considered that she ought to take the omnibus again; but she had now to think for Owen as well as for herself—she couldn't think for Mona. Even in the Park the autumn air was thick, and as they moved westward over the grass, which was what Owen preferred, the cool grayness made their words soft, made them at last rare and everything else dim. He wanted to stay with her—he wanted not to leave her: he had dropped into complete silence, but that was what his silence said. What was it he had postponed? What was it he wanted still to postpone? She grew a little scared as they strolled together and she thought. It was too confused to be believed, but it was as if somehow he felt differently. Fleda Vetch didn't suspect him at first of feeling differently to her, but only of feeling differently to Mona; yet she was not unconscious that this latter difference would have had something to do with his being on the grass beside her. She had read in novels about gentlemen who on the eve of marriage, winding up the past, had surrendered themselves for the occasion to the influence of a former tie; and there was something in Owen's behavior now, something in his very face, that suggested a resemblance to one of those gentlemen. But whom and what, in that case, would Fleda herself resemble? She wasn't a former tie, she wasn't any tie at all; she was only a deep little person for whom happiness was a kind of pearl-diving plunge. It was down at the very bottom of all that had lately happened; for all that had lately happened was that Owen Gereth had come and gone at Poynton. That was the small sum of her experience, and what it had made for her was her own affair, quite consistent with her not having dreamed it had made a tie—at least what she called one—for Owen. The old one, at any rate, was Mona—Mona whom he had known so very much longer. "It was near it, I was told, an hour ago—the fury of the flames had got such a start. I was there myself at six, the very first I heard of it. They were fighting it then, but you couldn't quite say they had got it down." From her step she looked down into his raised face. "Ah, you see it's not true that you're free!" She seemed almost to exult. "It's not true—it's not true!"